Ghost Ship (not to be confused with the many, many other works also called this) has a 16% “TomatoMeter” rating on Rotten Tomatoes and a 28% “MetaScore” on MetaCritic. Its audience scores are somewhat higher, but it’s generally fair to say that this is not a film that met with much positive critical reception or audience enthusiasm. Despite all that, it’s one of the best-constructed and most watchable horror films I’ve seen in ages.
Continue reading “Ghost Ship (2002) – Review”
After an accident in space left deep scars on his psyche, Walter Franklin retrains as a warden, one of the herders protecting and tending to the whales that form a large proportion of Earth’s food supply. Though space is forever denied to him, he finds new purpose exploring an equally strange and bewitching environment.
The Deep Range is set on a relatively near-future Earth. Humanity has control of the upper levels of the ocean, using the life within it to feed the planet. But there are always still secrets, dangers, and strange creatures down in the deeps. Continue reading “The Deep Range – Arthur C. Clarke (Review)”
The dive bars of Australia are filled with unlikely and unverified rumours. Rumours of an area where ships go mysteriously missing. Rumours of sunken wrecks and scattered bars of shining gold. Rumours – the most ridiculous and unbelievable of all, of a vast dark shape gliding through the water, territorial and shockingly violent.
Tyler Matthews is an alcoholic with an ex-wife and a rapidly shrinking bank account. A scarred stranger, met in yet another bar, offers him a chance at solving the third of those issues. All he has to do is retrieve a possibly-mythical fortune while avoiding an almost-certainly mythical prehistoric shark.
Feed is a story of treasure hunting, redemption, and man-eating marine fauna. It’s also a story about cannibalism, desperation, and exactly how far people will go to survive.
Continue reading “Feed – Michael Bray (Review)”
Inconsistent Pacing 