Do you remember the first time you watched Jaws, and you were really hyped up, but it was kind of disappointing? And you complained about the corny acting and the special effects and someone said, hey, you’ve missed the point?
And then you watched it again, and this time you got it, because you knew the secret: Jaws is not a film about sharks. Jaws is a film about fear.
That magical moment has never happened for me. I think Jaws is a terrible, boring film, and I always will. But I mention it now because The Death of Stalin is not about Stalin. Or sharks.
It’s about fear. Continue reading “The Death of Stalin (Review)”
“Top Ten Tuesday” is a feature started by “The Broke and the Bookish“, in which people list their top ten books that match some given criterion. It changes every week, and happens on a Tuesday. Lots (a frankly ridiculous number) of bloggers take part.
This week, the theme is Halloween, without further elaboration. In the spirit of that then, I’ve chosen to list monsters who it is difficult to actually be angry with, regardless of what they do. Continue reading “Top Ten Tuesday – Monsters that it is difficult to be angry with”
The dive bars of Australia are filled with unlikely and unverified rumours. Rumours of an area where ships go mysteriously missing. Rumours of sunken wrecks and scattered bars of shining gold. Rumours – the most ridiculous and unbelievable of all, of a vast dark shape gliding through the water, territorial and shockingly violent.
Tyler Matthews is an alcoholic with an ex-wife and a rapidly shrinking bank account. A scarred stranger, met in yet another bar, offers him a chance at solving the third of those issues. All he has to do is retrieve a possibly-mythical fortune while avoiding an almost-certainly mythical prehistoric shark.
Feed is a story of treasure hunting, redemption, and man-eating marine fauna. It’s also a story about cannibalism, desperation, and exactly how far people will go to survive.
Continue reading “Feed – Michael Bray (Review)”
Horror – in any medium – has a weakness. It’s almost always too long. And long horror doesn’t really work – it might start off strong, but it slowly attenuates, ending in anticlimax. Continue reading “The Problem with Horror: Length”