The latest bout of 20th century nostalgia has been taking us back to the 1960s. Something about violent social conflicts, the constant threat of international war, and egomaniacs spending millions of dollars on space travel seems to strike a chord with artists and audiences in 2019. I wonder why.
Snark aside, I like this trend. The story of space exploration is a story of disasters, near-misses and over-spending. But it also brings out the best in us: adventure, imagination, and collaboration. In this post, we’ll look at three different ways that story has been told.
Continue reading “First Man, Hidden Figures, and the Race for Space”
Why do you watch musicals? If you have any sense, you go for the music and dancing. It is a fatal mistake to actually notice the story, script, or underlying themes.
If you like ABBA songs (yes, you do), then you will enjoy the music and dancing in Mamma Mia: Here We Go Again. If you are a fool like me, and make the mistake of having more than two brain cells, then you will wish for death. Here, in no particular order, are all the reasons why I hated this film. Here, I am very much afraid, we go again.
Continue reading “Mamma Mia! Here We Go Again (2018) – Review”
Do you remember the first time you watched Jaws, and you were really hyped up, but it was kind of disappointing? And you complained about the corny acting and the special effects and someone said, hey, you’ve missed the point?
And then you watched it again, and this time you got it, because you knew the secret: Jaws is not a film about sharks. Jaws is a film about fear.
That magical moment has never happened for me. I think Jaws is a terrible, boring film, and I always will. But I mention it now because The Death of Stalin is not about Stalin. Or sharks.
It’s about fear. Continue reading “The Death of Stalin (Review)”