Let us turn to an under-theorized but much-loved genre, which I have just decided to name “Murderous Shakespearean Teens”.
We’re thinking of Evelyn Waugh’s Brideshead Revisited; we’re thinking Donna Tartt’s A Secret History; at a pinch, we might think of Peter Nowalk and Shonda Rhimes’ How To Get Away With Murder. There are not many more examples, although I suspect there are quite a few Murderous Shakespearean Teens sitting in a YA publisher’s slushpile somewhere.
These stories all share three central traits: violence (physical or otherwise), glamour, and youth.Continue reading “Murderous Shakespearean Teens: a review of If We Were Villains by M.L. Rio”